Jennifer James
Veylun Raku Sprite
Veylun Raku Sprite
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15.5 x 7 x 3.5 cm
raku fired ceramic
care instructions: dust gently, take care around ears and wings. keep away from direct sunlight and water
The Kinship of Sprites
"In the liminal realms where roots connect with stone, water embraces air, and fire dreams in the remnants of ash, a kinship exists that transcends memory. These are the sprites, elemental beings who protect the hidden domains of earth and the unseen realms. Each sprite is distinct in form and voice, yet they all resonate with the same melody of natures spirit. Meeting them serves as a gentle reminder that we, too, are woven into the magnificent tapestry of wonder.
In the quiet spaces between worlds, sprites emerge, crafted from stone, flame, tide, and wind. Each sprite embodies the essence of its element, intricately interlaced into their wilderness. Together, they are not bound by time or space, but by their kinship, fulfilling roles as guardians, messengers, and custodians of the realms.
Guardian of thresholds, Veylun embodies the spirit of liminal space. He carries
the essence of twilight, where endings gracefully merge into new beginnings.
He reminds us that the liminal space, the in between, is sacred ground for
reflection and growth."
- Jennifer
Jennifer James is a multi-textural artist whose creative journey began in early childhood. She has been crafting pottery since 13, experimenting with hand-building techniques. Among her most treasured works is a series of dancing pottery bird women, blending female forms with avian elements. Her sculptures often feature whimsical or bold interpretations of busts and torsos, reflecting her deep connection to nature.
In 2006, she moved to the South Pacific, where limited access to pottery led her to explore oil, acrylic, and encaustic painting, as well as mixed media. She studied pattern making and fashion design at the University of the South Pacific in Fiji, where she also explored traditional mark-making.
Now back on the West Coast, she continues designing clothing and repurposing fabric scraps into handcrafted birds, incorporating symbols, clay faces, and chest pieces. By merging textiles with sculptural art, she transforms discarded materials into expressive, meaningful creations.
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CCBC acknowledges that the land on which we work is the unceded shared traditional territories of the Coast Salish Peoples, including the territories of the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations.