ccbc's artist interview series with sabine arends
The CCBC’s Artist Interview Series is published on the 15th of each month. Our intention is to connect readers with the incredible artists in our space, consider craft through the lens of an artist, and encourage people in their own journey with craft.
Artist Biography: Vancouver Island based glass artist Sabine Arends has been creative for most parts of her life. Born in Germany, she moved to Canada in 1996. In 2004, she began teaching workshops in a variety of mediums and developed her vision to “Connect Art, Craft, and Creative Minds.”
While travelling during her time as a flight attendant and her husband’s military career, photography kept her creative mind active. Her initial art works included mosaics, stepping stones, stained-glass, and fused glass jewellery.
Recently, her projects have evolved into bigger statement pieces of one-of-a-kind wall and garden art where she utilizes colourful fused glass or acrylic paint as mediums. Her specialty is to include dichroic glass in her artwork to add a little extra sparkle and dimension to her pieces.
Inspired by nature and bold colour, Sabine aims to share her passion for protecting the environment. When not creating, she loves to spend her time in nature.
Could you tell us briefly what you make?
I am a glass fusing artist working primarily with kiln-formed glass. Over the years, I’ve developed a strong foundation in creating jewellery but have gradually shifted my focus toward larger pieces and diverse forms of garden art.
Currently, I am exploring more abstract forms using glass powders and frit, pushing the boundaries of what glass can express. Prior to this, I spent several years painting large-scale acrylic works—a liberating and expressive chapter in my creative journey.
Could you share a bit of information on what has inspired you in the past to make your work, or what is inspiring you in your present work?
Some of my earliest connections to glass come from heirloom pieces passed down by my grandmother, which still hold a special place in our home. In a fast-paced, disposable world, glass stands apart—it retains its shape, colour, and beauty over time. It’s a medium that invites reinvention while offering a sense of permanence, in stark contrast to materials like plastic.
Even the smallest jewellery pieces I created years ago continue to shine and draw attention. I find great joy in seeing my glass bird sculptures brightening up neighbours’ gardens. Their whimsical shapes and vibrant colours endure the elements and bring joy, especially during the rainy seasons.
If one bird can bring a smile to someone’s face—why not make more?
Studio time offers me a peaceful escape from the noise of the outside world, allowing space for creativity and reflection.
Has your work evolved over time, and if so, what has that looked like? What is your current focus?
Believe it or not, I’m still experimenting—trying out new colour combinations and discovering how different glasses interact at varying kiln temperatures. There’s always a sense of anticipation when opening the kiln, and that wonder keeps me curious and engaged. As long as there’s something new to learn, this art form will continue to inspire me.
My current focus on abstract expression is an intentional move to give viewers more freedom in interpreting the work. It's fascinating to hear the range of thoughts and emotions that a single piece can evoke in different individuals. In this way, art becomes a mirror, reflecting personal experiences and perceptions.
What role does community play in your work?
An important part of my studio practice includes offering occasional workshops. Sharing my process with others not only helps students to understand the craft, but also deepens my own perspective.
While I enjoy solitude and see my studio as a peaceful, personal space, I also recognize the value of connection. Just like in life, art cannot exist in isolation.
Through my workshops, I give back to the community—the start of my workshops happened in Moose Jaw, Saskatchewan, where my husband was stationed as part of his military career. While the husbands were at work, a group of NATO military wives were interested in learning about stained-glass, stepping stones, and glass fusing. This was the start of an ongoing path.
When we relocated to the Comox Valley, the group of interested ladies switched to the Newcomers Club and a variety of local art and craft minded groups that showed up for workshops. My slogan is still valid: Connecting art, craft, and creative minds at Fireworx Glass Studio. I’ve created a welcoming studio space that can host small group events, where learning and creativity thrive together.
What would you say to emerging or young craft artists in 2025?
Pursue the things that truly bring you joy. It might take time to discover what that is—but the key is to begin. Start somewhere, and the rest will unfold naturally.
