ccbc's  artist interview series with atusko yoshimura

ccbc's artist interview series with atusko yoshimura

The CCBC’s Artist Interview Series is published on the 15th of each month. Our intention is to connect readers with the incredible artists in our space, consider craft through the lens of an artist, and encourage people in their own journey with craft. 

 

Artist Biography: Atsuko Yoshimura grew up in Japan and immigrated to Canada in 1996. She studied ceramics extensively in Japan and Canada. Upon arrival in Vancouver, she enrolled in the Fine Arts program at Langara College. Then she transferred to Emily Carr University of Art and Design and received a BFA in 2006. On top of her studies, she worked as a glaze technician at a pottery studio, and also produced ceramic work for galleries and craft shows around Vancouver. In 2008, she took a hiatus from pottery making and focused on raising her children. Once her second son entered elementary school in 2014, she made a fresh start with a new body of work, porcelain series. In addition to making work out of her studio in Vancouver, she currently works as a pottery studio manager at West End Community Centre in Vancouver BC.

 

Could you tell us briefly what you make?

I create porcelain and stoneware pottery, primarily using the potter’s wheel. My work is influenced by Japanese aesthetics and emphasizes simplicity, balance, and the natural beauty of materials. My porcelain pieces have clean forms, often accented with subtle throwing marks that add depth to their smooth surfaces. Some have delicate carved patterns, pierced rims, or altered edges for added detail. I use clear glaze on porcelain to highlight its texture and translucency. In contrast, my stoneware has a more grounded feel, with an earthy clay body and glazes that enhance its warmth. Each piece is created and fired in an electric kiln in my home studio in Vancouver. I thoughtfully design my work to be both useful and beautiful, bringing joy to daily life.
 



What inspired you to make your pieces, or how, conceptually, did your work come to be (past/present)?

I am inspired by both my cultural background and the world around me. Growing up in Japan, I was surrounded by traditional ceramics that focused on simplicity and beauty. This influence still shapes my work today, as I try to make pieces that are clean, balanced, and thoughtful. Since moving to Canada, I have also been inspired by the many different styles and techniques in ceramics. Seeing different materials, colours, and ideas encourages me to try new things in my work. I also find inspiration in the process of making, especially the feel of clay and how it moves on the potter’s wheel. The small marks left by my hands make each piece unique. These marks tell a story about the connection between the maker and the material. Recently, I’ve been challenging myself by making sculptural work using wheel-thrown porcelain. While functional ceramics are still at the centre of my work, I am interested in capturing movement and expression in pieces that are not meant for everyday use. This has helped me try new techniques and materials expanding my creative range.


Why do you make craft?

Ultimately, I make pottery because I love it. I’ve been making pottery for over 25 years, and throughout this time, it has been a personal journey and a way to communicate. There is something deeply satisfying about the process—shaping the clay with my hands, watching it transforms, and knowing that each piece reflects my journey. Pottery offers endless possibilities for exploration. Each time I fire a kiln, I anticipate the results—the nuances in glaze, texture, and form. This unpredictability keeps me engaged, and my work evolves with every piece I create. I’m always  learning from the process. Above all, I make pottery because it brings me a sense of purpose and joy. It’s a way for me to express my aesthetic sensibilities, honour tradition, and  share beauty with others in a way that is both functional and deeply personal.

 

Has your work evolved over time, if so, what has that looked like?

Yes, my work has evolved significantly over the years. When I first started pottery, I focused on perfecting techniques and recreating precise forms I saw in books and photographs. Over time, I became more interested in the subtle details that give handmade pieces their character and began exploring my own style. Initially, I worked primarily with stoneware and coloured glazes, but now I focus more on white porcelain, drawn to its translucency and brightness. My stoneware has also become more minimal, with calmer, more restrained colors. While I still create functional pottery, I have also started exploring porcelain sculpture—something I’ve wanted to pursue for a long time. I love the rhythm of the potter’s wheel, the tactile sensation of clay under my fingers, and the delicate lines left on freshly thrown clay walls. Over time, I found myself wanting to express these flowing movements in a more abstract form, which naturally led me to sculptural work. To capture this movement, I create sculptural forms using wheel-thrown bands with minimal  alterations. Each piece explores the balance between form and emptiness, light and shadow, fragility and strength. These sculptures freeze movement in time, with flowing curves and  surface details that reflect the beauty of imperfection and spontaneity—an aesthetic deeply connected to Japanese philosophy. This shift into sculpture has expanded my artistic journey while allowing me to continue my love for functional ceramics.



What would you say to emerging or young craft artists?

Trust yourself and take your time to grow. Craft is a lifelong journey, and your style will develop through patience, practice, and curiosity. It’s easy to compare yourself to others, especially on social media, but remember that your path is your own. The best work comes from being true to yourself, not from following trends. Follow what excites you—whether it’s a material, form, or process. Lastly, find a community. Connecting with other artists will inspire and support you on your journey.




Are there ideas, values, beliefs, or concepts that your work communicates? Could you tell us a bit more about that? 

I believe in the importance of handmade objects in daily life. In today’s world, where mass production is so common, handmade pottery brings a sense of intimacy and mindfulness to our everyday routines. A handcrafted cup or bowl carries the marks of the person who made it, which creates a quiet connection between the object and the person who uses it. When we use handmade objects, we can appreciate their beauty in a way  that mass-produced items can’t offer. Through my work, I want to  encourage people to slow down and really feel the objects they use. Each  piece is a chance to pause and notice the weight, texture, and small details  of the pottery. By doing so, we can find beauty and joy in the simple  moments of our daily lives.





Is there anything else you would like to add? 

One of the most rewarding aspects of being a ceramic artist is seeing how my work becomes part of people’s daily lives. Whether it’s a favorite mug  cup used every morning or a bowl that holds a special meal, pottery has a way of creating personal connections. These moments of interaction are what give my work meaning beyond the process of making. I am also continuously inspired by the dialogue between tradition and modernity. While my techniques are rooted in traditional Japanese pottery, strive to create pieces that feel timeless and relevant. This balance is  something I always seek in my work. Lastly, I want to express my gratitude to those who support handmade ceramics. Craft is an essential part of cultural heritage, and by choosing handmade objects, people help keep these traditions alive. I hope my work brings both beauty and a sense of connection to those who use it.







Atsuko Yoshimura
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